Conference Report

9/4 - A conference report on this past summer's International Historic Brass Symposium in New York City has been posted.. Click here.

Adolphe Sax Conference Proceedings

2/1 - The publication of the proceedings of Adolphe Sax, His Influence and Legacy: A Bicentenary Conference has just been announced. The conference held at the Musical Instrument Museum in Brussels, was a celebration of the 200th anniversary of the birth of the great instrument maker and was co-sponsored by the Historic Brass Society. The proceedings will be a special issue of the Revue belge de Musicologie vol.70 (2016). The proceedings can be ordered at the postal address of the Society: Rue de la Régence 30, B-1000 Brussels, Belgium, or via e-mail to Olivia Wahnon owahnon@gmail.com. The price is 40 Euros plus shipping (free shipping in Belgium, 9 Euros in Europe and 13 Euros in USA).

Editor’s note: at the time of this announcement the publication was not yet listed on their website: www.belsocmus.org.

Contents

Billiet, Jeroen, “Adolphe Sax en de conservatoria van Gent en Brussel: de spraakmakende experimenten met koperblazers met onafhankelijke ventielen (1869-1895)”

De Keyser, Ignace, “The Introduction of the Saxophone in Urban music in SubSaharan Africa”

Haine, Malou and Ignace De Keyser, “Le musée instrumental d’un artiste inventeur : la collection privée d’Adolphe Sax”

Haine, Malou, “Hector Berlioz, chantre inconditionnel d’Adolphe Sax”

Haine, Malou, “Un réseau d’influence : les démarches d’Adolphe Sax pour obtenir la croix d’officier de la Légion d’honneur”

Herbert, Trevor, “Adolphe Sax, His Saxhorns and Their International Influence”

Howe, Robert, “Adolphe Sax: Myths Noted and Debunked. Sax’s Brass Instrument Markings. The “Orchestral” Saxophones. Ophicleide-shaped Saxophones”

Péronnet, Patrick, “Saxons et Carafons : Adolphe Sax et le Gymnase musical militaire, un conflit d’esthétique”

Postma, Marten, “‘Le cône parabolique’? een onderzoek naar de boringsprofielen van Sax’ instrumenten"

Rice, Albert R., "The bass clarinets of Adolphe Sax: his influence and legacy”

Strauchen-Scherer, E. Bradley, “Museum piece: Mary Elizabeth Adams Brown and the instruments of the Sax family at the Metropolitan Museum of Art”

von Steiger, Adrian, “Sax Figures: Can We Deduce Details of Adolphe Sax’s Instrument Production from the Sources?”

Wahnon de Oliveira, Olivia, “De l’intérêt de Fétis pour les instruments Sax à la création de la classe de saxophone (1867) au Conservatoire royal de Bruxelles”

Don Johnson (1955-2016)

10/18 - Mr. Donald Ray Johnson, Jr, age 61 of Raywick, KY, passed away Friday, October 14, 2016 in Bradfordsville, KY. He was born on July 24, 1955 in Lexington, KY. Mr. Johnson was a musician and a retired Captain of the Lexington Fire Department. He was preceded in death by his parents, Donald Ray Johnson, Sr. and Iris Jeannine Vanwinkle Johnson, and his sister Karen Faye Shupp. He is survived by his wife Cindy Oakman Johnson--Raywick, KY, his son Donald Ray Johnson III--Cincinnati, OH, his daughter: Marie Ann Colletti--Brooklynn, NY, his brother Steven Lee Johnson--Paris, KY, three step-brothers David Wilds--Three links, KY, Joseph Wilds--Irvine, KY, Paul Wilds, and his sister Michelle Wilds--Hazard, KY.

A noted figure in historical brass performance, Don founded and led the Kentucky Baroque Trumpets. He organized and led President Lincoln's Own Band, a group featured in Stephen Spielberg's Lincoln (2012). When the crowd sings "We Are Coming Father Abraham" in that movie it is his cornet playing that you hear. An active figure in historical bands in Kentucky, Johnson played in the Advocate Brass Band, Danville, Kentucky for a number of years and was frequently heard on stage at the Great American Brass Band Festival. He also frequented our annual HBS Brass Symposiua, including this past year at the Vintage Band Festival in Northfield, Minnesota, presenting on the keyed trumpet. We will always remember Don as a humble scholar, an energetic, passionate, and enthusiastic performer, and a person who has left us a legacy of wonderful recordings and insights into historical trumpet and cornet performance. For information on his recordings and life see http://kybaroquetrumpets.com/.

Steven Plank and Bryan Proksch

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