News and Events

  • For those interested in viewing some of our recent activities (concerts, conferences, etc.) we've started placing videos on Youtube. The first videos are from the recent James Reese Europe conference. We've got a page (listed under "features" and "additional content" on the menu) on our website by clicking here. The videos are on our new Youtube channel too, so you can subscribe or view them by clicking this link.

  • John and the Wallace Collection, in conjunction with St. Andrews University, are hosting a FREE online Brass Camp for students of all levels and ages, anywhere in the world on 3 Saturdays July 11, 18 & 25. 2pm BST (9am EDT). It includes historical information sessions with Arnold Myers and Peter Holmes, as well as playing sessions leading to a final virtual concert.
     
    More details and registration at: https://stamp.wp.st-andrews.ac.uk/brasscamp/
  • Vienna Talk 2020, at which the HBS was scheduled to present a special lecture session, has been postponed due to coronavirus. Originally planned for September 2020, organizers are tentatively planning on moving it to September 2022. For further information and updates visit https://viennatalk2020.mdw.ac.at/
  • Longtime HBS member trumpeter Peter Ecklund passed away on April 8, 2020 after a long battle with Parkinson’s disease. Peter was a rare musician who possessed a reserved personality, sharp wit, inquisitive mind, and was one of the most inventive and brilliant cornet players in the early jazz world. He was eager to explore a wide range of musical genres from natural trumpet, English slide trumpet, 19th century cornet repertoire to the world of early jazz, where he was a true star.

  • tarrtarr2Edward H. Tarr (1936–2020), the pre-eminent baroque trumpeter of the twentieth century, has died at 83 following a period of illness.  Tarr’s long career as a brilliant and expressive performer, a tireless scholar, and devoted teacher was of enormous influence in shaping the revival of historic brass instruments.  His recordings and concerts stimulated considerable interest in the natural trumpet, an interest that he furthered with numerous editions of trumpet works, a rich body of pedagogical and musicological publication, and close work with the instrument makers Ewald Meinl and Rainer Egger in the reconstruction of instruments inspired by Wolf Wilhelm Haas, Hans Hainlein, and Johann Leonhard Ehe III.  But crowning all of this was his beauty of sound and a highly cultivated sense of style that would entice and inspire generations of players and listeners throughout the world.